BradHatBlue

The Theatre, Thoughts and Travels of the B. McEntire

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Brook still going strong
BradHatBlue
[info]ftbonnigan
I keep thinking director Peter Brook is going to retire. And he keeps proving me wrong. He just opened a new show called The Suit at London's Young Vic Theatre. The Guardian journalist David Lan has written a wonderful summation of Brook's career. here's a highlight...

An empty space as a starting place for an act of theatre needs to be genuinely empty. When it comes to being filled, this should be with nothing but your – or you and your colleagues' – own, individual needs, desires, hunches, improvisations, spontaneities. This is, I think, the much harder lesson that Peter has been teaching all his working life. What makes us individual is that we each have our own story to tell. All that matters as we tell it is that it remains truly ours.  What is necessary to make art is that the artist gives everything. And how can we give in this way if we are consciously imitating another artist? Of course imitation can help to acquire skill – and skill counts for a good deal (in fact skill is very nearly everything).


I recommend the full article HERE.

As well, The Guardian also conducted a short interview with Brook. Despite his advancing years, the man still seems as clear-headed and as focused as ever. Amazing.


BIKE SOCCER JAMBOREE episode 4 is up!
Puppet
[info]ftbonnigan


Episode 4 of Bike Soccer Jamboree is online. Good talk with Liz Robinson of the Alternative Comedy Theater as well as the usual carryings-on by me and Hernandez.

Go
HERE and have a listen

Blank It - A Webcomic Review
BradHatBlue
[info]ftbonnigan


So, there’s this webcomic I just stumbled upon and there's something kinda fascinating about it... it appears to be about nothing… Seriously. Nothing. There’s a character, this guy in glasses, and he’s in a place that is a completely white void. Nothing exists. Well, nothing exists except him… and this other guy... with a hat… and this beam of hot orange light that will melt your limbs off.

Despite the fact that I (sometimes) create webcomics, I have a confession to make... I don't read many webcomics. I either come to the party too late and have no idea what the concept is or I have no interest in the particular novelty of a particular script (if any...)


But this one is somehow different than the run-of-the-mill. As soon as I read the first few strips of Blank It, by creators Lemuel Pew and Aric McKeown, I realized there was genius at play. it's a comic with no setting! Brilliant! The story is presented in a way that the reader has absolutely no idea what’s going to happen to these characters. And that is the beauty...

For a comic with no "plot" it creates this wonderful tension where we, the readers, want to know the answer to that perennial question (often repeated by David Mamet): What Happens Next?

As a playwright I know this is what everything boils down to. In my own webcomics I love the suspension of time set up by multiple panels and dragging out those small moments of anticipation (I often have a panel, sans dialogue, with both characters simply eye-balling each other, waiting to see who says what).

Blank It does this what-happens-next thing perfectly. But not in a traditional cause-and-effect way. The characters (who eventually name themselves Lemmo and Aric) simply walk through a blank void (literally blank most of the time) and encounter a series of bizarre and random happenings (i.e  a pair of socks has morphed into a fox, a man is carried by a cookie, etc.) and have bizarre and random thoughts. Really random things. Despite this, the strip seems to keep moving forward. In fact, this mastery of unpredictable outcomes and thoughts while still maintaining a sense of pacing and story is what really makes this comic a great success.

The humor in the strip is mostly due to the relationship between the two main characters in this absurd situation. They compliment each other perfectly. In fact, there are shades of famous duos all over the strip... Laurel and Hardy, Calvin and Hobbes and, most notably, Gogo and Didi from WAITING FOR GODOT. I would hazard to say there is a bit of Adam and Eve thrown in there, too. Anyway, much of the humor comes from the tension between the two guys.

In fact, the strip is exceedingly well-written. The characters know just what to say to get under each other's skin in what starts in a light, teasing way and keeps building more and more. It is also drawn well.

The art is really sharp and clean. I like the use of color which offers a striking contrast with the empty, white backdrop of the world Lemmo and Aric are in. It really makes them pop. The comic is visually kinda stunning, in a subtle, sneak-up-on-you way (this is thrown into relief when, on a few occassions, the strip is drawn by a guest artist or it is published in black and white). The characters are drawn with a lot of expression and personality. It is easy to relate to them and empathize with their unusual situations.

I don't usually review comics, let alone webcomics, but this is a particularly smart, high-concept, extremely entertaining comic. The only real criticism is that it stopped. Around the end of 2011 the duo stopped posting new comics. Which is sad. I recommend to one and all that you head over and give it a look. Be sure to start at the beginning...

Blank It – by Lemuel Pew and Aric McKeown.
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FUN GRIP at Hideout... the return to Austin
uhhuh
[info]ftbonnigan
Quick trip to Austin this past weekend to perform at the Hideout as part of the Friday night "Spectacle." We were on a bill with the house group Parallelogramophonograph.

Fun Grip had a good set. Our suggestion was "Sun Symposium" and we hatched a narrative about a guest speaker at the end of his rope, with father issues, giving a lecture on "The Meaning of the Universe" with the audience becoming the lecture hall. The vibe was good and there were a nice amount of audience members there. We definitely felt better about this set than we did about the calamitous last gig we did at the Hideout's "The Spectacle."


Parallelogramophonograph did a pretty entertaining set about a bunch of middle-aged tenured female researchers, their two put-upon young male interns and a troublesome poppy field.

As usual, everyone in Austin was that mix of professional and hospitable. Both Swearingen, Ruth and I stayed with the wonderful Chris Humphrey who regaled us with tales about how she recently learned the accordion, Mongolian throat singing and her acting in Richard Linklater movies.

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Makes Me Want to Go to Venice!
BradHatBlue
[info]ftbonnigan
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Hell yes!
BradHatBlue
[info]ftbonnigan
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BSJ ep 2 is online!
BradHatBlue
[info]ftbonnigan

Jeff Hernandez and I recorded episode 2 of the enormously popular podcast* Bike Soccer Jamboree!

Listen to it HERE.
* This is completely subjective.
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Easter sketches for Kylie
BradHatBlue
[info]ftbonnigan

I spent Easter Sunday with my family. My six-year-old niece Kylie hunted Easter eggs and had me draw pictures for her. Here's some Easter drawings.

Originally posted at www.BradMcEntire.com

BIKE SOCCER JAMBOREE episode 1 has launched!
BradHatBlue
[info]ftbonnigan
Jonathan Pryce in "Something Wicked This Way Comes"

My friend Jeff Hernandez and I have launched a new podcast series called Bike Soccer Jamboree. The first episode just came out. It basically involves Hernandez and I just sitting around chit-chatting, really. I may have misremembered the movie Something Wicked This Way Comes. I totally remember Jonathan Pryce's character having eyes in the palms of his hands. The thing is, outside of actually watching the movie to verify this (which I won't do, as explained in the podcast), it is impossible to say if this really is the case. Maybe he only had the faces of the young protagonists tattooed on his hands.


Anyway, the first episode is out. Take a listen. Here.

Daniel Clowes on NYTs
BradHatBlue
[info]ftbonnigan
The New York Times has posted a swell mini-video portrait of underground cartoonist Daniel Clowes. Worth a re-post here.

 

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