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(no subject) [Jul. 9th, 2009|07:38 pm]
About two weeks ago (around payday, of course), I bought the first two seasons on Burn Notice, which were on sale for under $20 each. Two days ago, I finished the last episode on Season 2. I am sad. The same sadness I had when I finished all of the 30 Rock episodes. or all of the West Wings.

I love Burn Notice. Jeffrey Donovan is a good, grounded actor and the show pretty much races along. I have, for years, really not watched television. After about my junior year in high school, I found myself one day just finding other things to do with my evenings.
Most of the time, i have rehearsals or performances or friends or a girlfriend to hang out with. Left alone, I'll usually read, maybe surf the web randomly (lots of time is consumed on the intermesh), or watch a DVD. Sometimes, I'll write. but TV is something I associate with B-list celebrities dancing and other waste-of-time reality shows.

Now, with my obsession for House and Burn Notice (and to a lesser degree, the show In Plain Sight), I'm - on the one hand - enjoying watching television shows again. On the other hand, I waste ass-loads of time noticing how Gregory House always thinks it's sarcoidosis about halfway through the show...
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To Kill a Mockingbird [Jul. 9th, 2009|10:11 am]

So, far the summer is molding itself into a memorable one. This will be the summer of the Great Winnipeg Road Trip, the summer of ARSENIC & ROSES, the summer of an intense obsession with the life of Shakespeare. It will also be the summer of two great books. I am still making my way through one of them - bit by bit - which is Thoreau's Walden. Having seen quotes from it all these years, I finally picked it up back in May. My reflections on that will have to come in another blog and certainly after I've read more of it (I'm about half way through right now).

The other book which will stand out for me this summer is Harper Lee's To Kill A Mockingbird. I was suppose to read this back in school, but it is one of those I passed tests for by reading the book jacket and picking up bits of info from classmates. I also missed the movie when we watched it in class, since I can't remember ever seeing it. And I missed out...

I finally got ahold of it last month and it has quickly become one of my favorite books ever! Up there with Fear and Loathing In Las Vegas and The Sun Also Rises.

Besides it being a great coming-of-age story and celebrating small-town southern life (I swear, halfway through, I wanted to get a big glass of lemonade and wear seersucker suits and bow ties and have a porch to sit on), the concept of good and evil co-existing together and how a pair of kids - Scout and Jem - move from innocence to adult awareness is powerful stuff. Atticus Finch is a new hero of mine. He has experienced and understood evil without losing his faith in the human capacity for goodness. Atticus understands that, rather than being simply creatures of good or creatures of evil, most people have both the good and the bad in them. The important thing is to appreciate the good qualities and understand the bad qualities by treating others with sympathy and trying to see life from their perspective. "Walk around in their skin for a while."

I finally saw the movie last night. Gregory Peck deserved his Academy Award and then some. It truncated the novel a whole lot and you don't get the lazy summer passage of time -  that feeling of long late afternoons of childhood - that the book sets up so well, but it is really good all the same. Just as heartbreaking and exciting in places as the book. 

Whatever else comes up this summer, I will remember it specifically, among other things, as the summer of To Kill A Mockingbird.

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Because it makes me smile... [Jul. 7th, 2009|12:47 am]


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Reflecting at the circle of it all... [Jul. 2nd, 2009|01:48 pm]

This morning I acted in an industrial and the director of the shoot was a former student of mine… from back when I taught high school. So weird. His name is Matt and I remember him as being a good kid. He played the leads in the school musicals I directed and was interested in film and video production. He hung out with a few kids who weren’t as nice and I’m reminded of two things… 1.) How betrayed I felt as a teacher when I learned the students I thought were good, dependable and friendly were actually the opposite and just manipulating me, looking on me as a fool. And 2.) how bad a teacher I was a decade ago.

Nothing to be done about the first point, but the second point has, I’m happy to report, changed considerably. In 1999 I was a brand new teacher. I was one year out of undergrad and had no experience in education. Worse, I was hired after the school year had already begun. I came blindly into a suburban public high school to teach theatre. It was truly a sink or swim situation. Like any beginning teacher, that first year and a half was very painful and I look back with a mixture of wisdom and shame.

I am reminded of a certain Mark Twain quote. I met a series of fellow teachers, administrators, staff members, parents and especially students who “make a body ashamed of the human race.” I was convinced the public education system, all contemporary methods of parenting and my own sense of logic were irretrievably broken. All these years later, I’m not sure I was completely wrong about these things. I brought with me independence, common sense, enthusiasm for my field (the theatre being my livelihood) and a can-do attitude. These in turn were systematically beaten out of me through apathetic adolescents, the system and my own doings. I left teaching public school an incompetent, petty, vengeful teacher. I recall those first three semesters as a pure slice of hell.

I remember one young freshman girl repeatedly mouthing off. And I had a hair-trigger temper about misbehaving students. I clawed at maintaining authority with a vicious desperation. I was a hard teacher. One day I took this rude little high school girl out into the hallway to make a truce. She had my number.

“You’re too hard on us because you’re new. New teachers are always stricter. They don’t know yet how things work…”

And I didn’t want to know. It seemed 95% of my students were lazy, impolite and/or violently aggressive.  And while I was sure I knew what my role was as their teacher, they had no idea what their role was as students.

Listening to this young smart-ass girl shake me down, I felt only anger, pity and sorrow. I grew so tired of the elaborate power game just to get my students to listen to me at all. It was soon after this I stopped caring about my students. If they didn’t want to learn, fuck them. My job was to impart knowledge and they had shown themselves undeserving and unreceptive to the gifts I could give. I gave up. My job was not to convince them that what I had to teach was worthwhile. My job only kicked in after they did their part. They had to come to the table before they would be served.

It is only in hindsight I realized how pretentious and selfish this thinking was. My definition of a teacher was so narrow. A teacher should not only instruct, but should inspire, should develop, should guide students.

I had written them off. I worried about them doing their jobs while I clearly was not doing my own.

I eventually high-tailed it out of public school and tried my hand at community college. It was better, but the lessons I learned about myself as a teacher came slowly and it took many classes and many years before I gradually formed into a confident teacher. A couple of years ago, I walked through a final, ultimate test of fire by teaching in Hong Kong. This was a fresh, deeper hell. This experience in China made my suburban high school teaching days look like a stroll in a park on a sunny day. I came out the other side a much better teacher.

I still have a long way to go, but I understand the purpose behind my role as an educator now and, believe it or not, actually enjoy the experience. Most of the time…

There was, is, no way to tell all my former students – including Matt I worked with this morning - about this arc of growth. But I can only be in the now, with my eyes looking forward. Can’t change the past, can only learn from it.

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Northbound: Road trip from Dallas to Canada [Jun. 16th, 2009|09:49 pm]

Last week I drove to Canada. I had the week off from all of my several part-time jobs (it is rare that this happens. Getting off one day is occassional, but where all the jobs don't overlap for a full week is a near impossibility).

I drove north over a few days, ending in Winnipeg and then a mad two day dash back. here's some photos...

My cousin Lori lives in Jenks, Oklahoma (outside of Tulsa). She put me up the first night. She is trying to learn German, so there are little labels on things all over her house.
Day 2: Stopped for a foot long corn dog at this swell place in tiny Miami, Oklahoma.

Read more... )
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(no subject) [Jun. 5th, 2009|09:46 pm]

The weekend before last - May 23 - I was involved with the Dallas Video Association's 2009 24 Hour Video Race. I was on the Palatia Motion Picture Group's team. We put together a short called "4 Way Stop: The Musical." They were a fun group out of Melissa, Texas (north of the DFW Metroplex) and Swearingen and Ms. Crown were involved. The process was fun, since Swaeringen, Crown and I were part of the creative team and not just the "actors." We wrote lyrics to songs, helped brain storm the storyline and even wrote most of the script. The resultant video fell a little short of the product I had imagined, but was till okay.

It won 2nd place at this year's 24 Hour Video Fest and was shown twice at the Angelika Film Center in Dallas.



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Frump the Clown - blast from the past [Jun. 2nd, 2009|04:35 am]

In 2000 or 2001 I participated in a Faculty Follies showcase while teaching at public high school. I performed an improvised Frump clown routine. I just  found these photos...




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I'm a web contributor... [Jun. 2nd, 2009|02:18 am]

I submitted my travelogue essay from last March about visiting Edwin Booth's Players Club (that appeared here in this blog) to the Dallas theatre site TheatreJones.com last week. It was printed/posted, so now I am a contributor...

Read it... again... here.



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(no subject) [Jun. 1st, 2009|01:11 am]

That's right, ARSENIC & ROSES, an early play of yours truly, is coming soon to Dallas audiences! Directed by Jeff Hernandez and featuring Teresa Valenza and Jeff Swearingen (pictured above). Playing July and August at the 2009 Festival of Independent Theatres. Dig it here.
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Back to Dallas [May. 31st, 2009|11:46 pm]

Spent weekend in Austin with the Engel. We went to see Hyde Park's production of HOUSE by Daniel McIvor. Not too bad, but short of great. Inspiring in that it gave me ideas for my own work.

We stayed an extra day so we could catch Disney/Pixar's UP at Alamo Drafthouse last night. Really enjoyable movie. Enjoyed hotel hot tub after midnight and the Sunday morning Continental breakfast (these are luxuries compared with my usual style of travel. Thanks to the Folks for supplying he surprise gift of the hotel).

Leisurely drive back this afternoon. Off to Undermain to record the EYE IN THE SKY scripts. Great bunch of actors reading the scripts. This will be Episode 2 of the 6-episode project. Late visit to gym and then off to bed. Thankfully, no appointments tomorrow, so I can sleep late.
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Improv Monologue Project [May. 28th, 2009|05:26 pm]
Jill Bernard submits to the IMP.

Warning: strong language. Be careful if you are listening to this at work.

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Mission Speaks by Jack Reuler [May. 28th, 2009|02:34 pm]

I was led to this great online essay by Jack Reuler, founder of Minnesota's Mixed Blood Theatre Company. Here are some highlights that really struck home...

"Non-profits of all sectors sometimes forget that mission is not grant-speak, but something that is accomplishable. Mixed Blood, for example, will be ultimately successful when it is no longer necessary. We raise funds not to keep our doors open, but to eventually close them because our mission has been accomplished, and the decision to produce new plays, whether commissioned or with a small track record, comes from our mission. "

 "In fact, as I look through the new work that we have done in the 21st Cenury, the cohesive factor is that they are all hard shows to produce... Knowing that audiences and critics don't care about hard, we have been forced to strive with greater resolve for absolute excellence. We cannot expect a double standard between the tried-and-true and original work. No new play can be compromised or be exempted from absolute excellence because it is new, nor should critics or audiences be expected to “give us a break” because of what we are trying. Risk and excellence are not mutually exclusive."

The whole article can be read here.
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Sherlock Holmes for the short attention span set [May. 24th, 2009|04:21 pm]

Engel and I went to see TERMINATOR: SALVATION last night. Better than I thought it would be (I never got into the Terminator lore). During the previews, we saw this...

As they say here on the internet... O M G !

I am a Sherlock Holmes afficionado from way back. I once spent an entire summer and into the autumn reading all the Sherlock Holmes stories back to back. I'm thrilled and frightened by this upcoming re-vision of Holmes. I love Robert Downey Jr, Jude Law and Guy Ritchie, but a Sherlock Holmes that knows martial arts?

I remember in the books he is familiar with the concept of martial arts, but this could potentially turn out like that steaming pile of embarrassment VAN HELSING. You know, where they take a perfectly fascinating literary character and then give him special skills and tricked out gadgets or something. I cry a little inside whenever the movie LEAGUE OF EXTRAORDINARY GENTLEMAN is brought up. The idea and the LOEG graphic novel were great, but the movie was horrible and a disservice to the creations to all those characters now in public domain.

If you wanna touch up on your Holmes trivia, I found this great site. They have nearly all the Holmes stories as text versions as well as old BBC recordings of some stories.

Christmas... so long to wait...

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Elizabeth Gilbert on Creativity and Genius [May. 18th, 2009|12:27 am]

 
I read Elizabeth Gilbert's book EAT PRAY LOVE last year. I thought it was a great piece of personal journey. I didn't know much about the author outside her book until I ran into this talk she did at a recent TED (Technology, Entertainment & Design) Conference.

It is nearly 20 minutes, so be time-warned, but interesting all the same... click here.
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The Kalita [May. 14th, 2009|05:26 pm]
Texas has a long and proud history in many things and theatre is no exception. Two weeks from now - with the closing of the show SARAH PLAIN AND TALL - will see the end of Dallas Theatre Center's last season in the Kalita Humphreys Theatre (pictured above), the last building (and one of only three) designed by famed architect Frank Lloyd Wright. The Kalita has been the home of DTC since 1959... so 50 years.

In October DTC moves to the new Wyly Theatre in the Arts District in Downtown Dallas.

Jerome Weeks has put together a wonderful celebration of the Kalita on the KERA Art&Seek Blog (here) and there's a good write up of the building on the DTC website (here).

All the write-ups mention Paul Baker, the first Artistic Director of the Dallas Theatre Center and the chief molder of the space while Wright was designing the building. Mr. Baker, no stranger to designing performances spaces himself, was one of those larger-than-life figures Texas seems to create and unleash on the world every decade or two. I had the pleasure of meeting Mr. Baker, then at the age of 94, and his wife Kitty in 2005 on a visit to his wonderful ranch outside Waelder, Texas down in Hill Country (picture below... gosh, I was heavier then). It is a shame Mr. Weeks didn't interview Mr. Baker himself for this retrospective of the Kalita Humphreys Theatre.
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One definition of a gentleman is the infinite capacity for taking pains... [May. 12th, 2009|08:30 pm]

For the last several days, I've been working on a project that initially started out as a simple afternoon project. As an employee of TCS, I get a discount on the products there. Up until May 10, I had an additional 10% discount on Elfa shelving, up and beyond my usual %50 off.

So, the plan last Friday was to purchase Elfa shelving, take down the crappy Home Depot imitation shelving that was currently in the room, and put up the Elfa. Simple.

So, I bought the Elfa came back home and as I took down the bargain-basement shelving that was up, I learned whoever put it up had painted around the shelves instead of painting and then putting them up.

So, now I had two huge white areas in the middle of a light blue wall. I found the blue paint that the room was originally pinted with in the garage and fixed the patches. But it didn't match because the old paint had faded.

So, now I had to paint the whole room to get the  paint to match the big patches I'd put up. This involved getting new paint mixed and everything that goes with painting (moving/covering furiture).

Meanwhile, my parents are having their bedroom remodeled across the house. I mention that I'd like molding trim in the light blue bedroom as well, like their bedroom, instead of the crappy and peeling floral print wallpaper strip they have along the ceiling. My mom says, well do something about it. So, I purchase cheap trim molding, tear off the floral print, repaint, put up the molding and bam... a mere four days later, the room is transformed. A brighter blue. Trim along the ceiling. New shelves. the fella who put in the new stuff in my folk's bedroom even installed a new ceiling fan.
 
Here's how my "afternoon" project came out...

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Getting twitchy... [May. 6th, 2009|03:20 am]

I have watched all the episodes of 30 ROCK on the Season 1 and Season 2 DVDs. I've also consumed all the posts of it on Hulu. I'm out! I'm out of 30 ROCK!

I think I'm going to start getting the shakes...
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Goodbye Augusto Boal [May. 4th, 2009|01:23 am]

March 27 as World Theatre Day. Created by the International Theatre Institute to be a day of awareness and celbration of theatre as an artform that has an impact on society, World Theatre Day has been happening since the 1960s.

This year, the person they chose to give the World theatre day message was a Brazilian director named Augusto Boal.

Several years ago I read his book Theatre of the Opressed. I was pleased he was chosen this year. His message is a bit dense for the layman, but still inspiring.

Sadly, he passed on this wekeend at the age of 78. His orbit is posted on Salon.com
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Jill Bernanrd doing DRUM MACHINE [May. 1st, 2009|11:02 pm]
Jill Bernard is kinda the Queen of Solo Improvisation and her show "Drum Machine" is performed at festivals all over the place. If I was really, truly and ONLY dedicated to solo improv (Dribble Funk) then she's the one who would set the bar...

Video thumbnail. Click to play 

There's a great video interview of her with snippets of her performing DRUM MACHINE on the 3minuteegg.org on the April 8, 2009 posting.

See it here
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No work work [May. 1st, 2009|09:24 pm]

A funny thing has happened lately... Over the past few weeks, I haven't had to go to a regular job every day. Coincidently, over the past few weeks, I've gotten a hell of a lot of work done.

Let me 'splain...

I really don't have a "real" job anyway. My financial livelihood is cobbled together from multiple part-time gigs that I collectively call Hustling. these include:

*  touring productions of theatre productions for kids on weekday mornings with a Children's Theatre,
* occassionally teaching a class or adapting a script for kids to perform at this same Children's Theatre,
* 10 hours a month reading plays, maintaining a database, writing correspodence to  playwrights 
   and  occassionally doing an e-mail newsletter for a theatre downtown. I'm called a Literary Manager for these 
   duties,
* unloading a truck at a retail store once (sometimes twice) a week from 9-Midnight,
* doing the occassional commercial or industrial, or auditioning for said jobs, sent out by my agency.
* selling stuff on Amazon.com or half.com,
* managing Audacity Theatre Lab as Artistic Director. It's a functioning non-profit. I don't get paid a salary, but
   through it, I generate projects for which i can be paid such as directing, designing, writing, producing, etc. for
   local productions or traveling abroad to festivals.
* random odd jobs for other theatres like directing a week-long camp or someone does one of my plays and I get
  a small royalty.

The morning touring shows which I perform in and sometimes direct have been my bread and butter in the past, since on average there would be about 4 to 9 shows a week, taking up most mornings, most weeks. I get paid by the show. But this season - perhaps because of the economy - there just haven't been many shows each week. Maybe 2 or 3 a week if we're lucky. Over the past month or so, there has been approximately one show a week.

This leaves approximately six mornings free during the 7-day week and since I don't have rehearsals in the evenings for any show I'm working right now, I only have about 10-12 hours obligated to "jobs" in a given week.

So, my days are largely open. I've gone on a lot of auditions for commercial work lately (2 or 3 each week, which is more than my average of one a week, actually), and attended to my Literary Management duties, but on the whole, I have the bulk of most days completely to myself and my own devising.

And it has been very advantageous. In the last two weeks I've launched a fund-raising campaign for Audacity (Please consider giving...), begun writing a new play, started a secret blogging project, organized most of my personal library, worked out several times, started a new savings account, watched the first two seasons of 30 ROCK (good god, i'm addicted to that show... and I don't even watch television. Curse Hulu.com for getting me hooked), attended to personal correspondence (yes, I still write actual paper letters to people), begun development dialogue with a playwright whose work I'm directing in the fall, toured a potential theatre space i can rent for future projects, updated mailing lists, done some bike riding on nice days, and consumed the books! Lots of books: TEACH LIKE YOUR HAIR'S ON FIRE, FREAKONOMICS, GIELGUD ON ACTING SHAKESPEARE, CODE OF MAN, most of PLAYWRIGHTS AT WORK, HORTON FOOTE'S FAREWELL and am about halfway through Thoreau's WALDEN, which I have never read before.

This is in just the last few weeks.

I've also attended the movies twice and saw two plays. I'm going to friend's birthday bash tomorrow night.

I've also hit the Dr. Pepper pretty hard (my self-challenge to not drink carbonated beverages ended Easter weekend), stayed up late and slept into the afternoons, wasted time watching cartoons with my niece, eaten poorly and thrown away hours surfing aimlessly on the internet.

I have often wondered what I'd do if I was left to my own devices and didn't have to worry about "working." The last few weeks have been the closest thing to this in a long time. I have learned two things about myself: 1.) I have very little discipline to establish concrete routines if I don't have scheduled things to work around (or against) and 2.) I get a whole crap load of things done when I have the time and wherewithall to just think them out.

And I read really fast when I'm not having to catch a page or two at a time in brief ten or fifteen minute increments throughout the day. 
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